Friday, September 24, 2010

My Favorite Artists and Their Art: Frank Frazetta

As a genre that spans multiple mediums, fantasy has been able to introduce people to new worlds, new concepts, and encounters that only the imagination could provide. Within the art world, very few fantasy artists have ever been given the credit that they deserve for their artistic work. Aesthetically, fantasy in art is usually comprised of scenes of scantily clad barbarian men and women battling with supernatural forces, though there are other kinds of fantasy art. However, when it comes to "pulp fantasy", as I often refer to it, no artist has ever had the kind of cultural impact and influence that Frank Frazetta has. His works have pushed the envelope in ways that are almost indescribable. The men he draws are muscle-bound and rippling with testosterone; the women are voluptuous sensual creatures who can barely stand due to their endowments; the monsters are as grotesque and as savage could be.

Conan the Adventurer (1965)
Conan the Adventurer

Birdman (1972)
Birdman

Cat Girl (1984)
Cat Girl

Conan the Barbarian (1966)
Conan the Barbarian

Vampirella (1969)
Vampirella (1969)

Egyptian Queen (1969)
Egyptian Queen

The Death Dealer (1973)
The Death Dealer

Conan the Usurper (1967)
Conan the Usurper

The Tempest Witch, also known as The Sea-Witch (1967)
The Tempest Witch

Vampirella (1996)
Vampirella (1998)

Conan the Destroyer (1971)
Conan the Destroyer

The Silver Warrior (1972)
The Silver Warrior

Witch (1981)
Witch

Conan the Conqueror (1967)
Conan the Conqueror

Tuesday, September 14, 2010

My Favorite Artists and Their Art: John William Waterhouse

I've been a great admirer of the Pre-Raphaelite Brotherhood and their artistic style for a very long time now. Of all the artists associated with the movement, I think that John William Waterhouse is probably my favorite. This is partly because Waterhouse was consistently brilliant in his creation of evocative scenes inspired by mythology, historical legend, and classic literature. However, while this aspect of his art appeals to me on an intellectual level, I find myself also drawn in by the delicate sense of bittersweet romance and unrequited love on an emotional level. Waterhouse was one of the last Pre-Raphaelite artists and yet his work overshadows many of the lesser known artists of the movement who came before him.

A Mermaid (1901)
A Mermaid

The Lady of Shalott (1888)
The Lady of Shalott

A Naiad (1893)
A Naiad

Lamia I (1905)
Lamia I

Echo and Narcissus (1903)
Echo and Narcissus

Ophelia (1894)
Ophelia

Hylas and the Nymphs (1896)
Hylas and the Nymphs

The Crystal Ball (1902)
The Crystal Ball

A Hamadryad (1893)
A Hamadryad

Circe Invidiosa (1892)
Circe Invidiosa


Lamia II (1909)
Lamia II

Circe Offering the Cup to Odysseus (1891)
Circe Offering the Cup to Odysseus